Apropos of the new decade, I hunkered down to half watch the 2001: A Space Odyssey sequel 2010: The Year We Make Contact — a middling accomplishment in the shadow of 2001, but more of a movie than the cinephile’s 2001, at least insofar as one might measure the distinction using the vulgar calculus of *words-of-dialo…
Design FictionDesign Fiction ChroniclesHistorical FictionScience Fiction20102010: The Year We Made ContactArthur C. ClarkeFilmPropStanley Kubrick
A few notes for the notebook on this essay Visualisation and Cognition by Bruno Latour. In it I found a few points relevant to this idea of *design fiction* — the imbrication of design, science fact and fiction to help imagine and materialize new kinds of near future worlds. The essay certainly isn’t about this dire…
Design as StrategyDesign FictionInnovationScience FictionThe FutureThe ObjectTheoryAugmented RealityBruno LatourInscriptionsJurassic ParkLatourReading NotesVisualisation and CognitionVisualization
Strangely — because I trained to be a cynic-critic — I actually enjoyed Avatar. I don’t know if I expected much more of a nuanced story from James Cameron, so I didn’t go in there looking for insight and reflection on the complexities of sci-tech versus anti-tech (delivered, ironically, by a super high tech producti…
Naturally, it was a holiday week so not all that much was going on, except that there was of course plenty going on. As pertains the Laboratory, we’ve been fussing around with various tool chains for doing matchmoving animations, perhaps something useful for performing designed fictions to explore and experiment wit…
The second guy to walk on the moon — Buzz Aldrin — has been doing the rounds, signing his new book Magnificent Desolation talking about how his life was destroyed cause he was famous for being the second guy to walk on the moon. And how we should go back to the moon. And stuff like that.
Book ReviewDesignDesign FictionPeculiarScience FictionSocial PracticeBookBook SigningBuzz AldrinMagnificent Desolation