Last week was maintenance and tidying-up. Like returning from a long trip and sorting through all the stuff, experiences, dirty laundry and receipts. There was mostly a bit of cataloging and filing of material related to Project Trust (aka *Project Foghorn*, a.k.a. *Project Firefoot*), which has tipped into a nice s…

Legacy post from Near Future Laboratory.

Curious minor urban disaster. The brace meant to prevent the signal light from being struck by a large truck or something was struck by a large truck or something and, thence, struck the object it was meant to protect.

To go along with the previous *blog all dog-eared pages* post, an additional description of *what plastic is* — to include alongside of all the others chemical, political, economical, historical, technical, medical, fictional, &c — done in the story-told style, again from a dog-eared page in Richard Powers’ *Gain* —…

I just finished Richard Powers’ intriguing industrial historical novel Gain, which was brought to my attention by a couple of passages in Bruno Latour’s Reassembling the Social, which was brought to my attention by..&c.

In the spirit of the curious weekly updates I’ve begun paying attention to, and within the practicalities of this laboratory log, I think we’ll give a try to remind myself what the heck has been going on in and around the laboratory nervous center mostly for our own record, and for those who are curious.

A small collection of historic augmented reality devices, found during a rake through a flea market in Paris with fellow Urban Scout Nicolas Nova last Saturday. Mostly bashed up, broken things — but evocative devices that, when run up against all the excitement surrounding “Augmented Reality”, suggest more to me tha…

What was sticking in my mind, and has been recently, and especially after dinner conversation and the lecture which was on Design Fiction with an emphasis on the relationship between props, prototypes, and the normalization/everyday-making of provocative ideas.

Just a short post to point folks to this succinct description of The Golden Institute by the artist-designer himself. The engaging documusic sort of brings it all together. Great work, Sascha!