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The Future.
Everyone carries a version of it. Personal, political, utopian, apocalyptic. Almost always tech-saturated.
But "the future" isn't a forecast. It's more like a bargaining chip.
It's a way to negotiate the kind of world we're willing to fight for, or against.
The trouble is: we've stalled.
Our collective imagination feels stuck in a cul-de-sac of recycled aesthetics. Half Hollywood, half corporate demo reel. We're streaming Lego Captain America vs The Smurfs all the while drones cosplay as flying cars, like ticking off a 1950s sci-fi checklist that is mean to count as progress.
I wrote about this in my last book, It's Time To Imagine Harder, and it feels more relevant than ever.
It makes more and more sense to describe the world we live in as some one else's future — someone else's idea of the world we should be inhabiting.
The decimation of our ability to imagine alternative futures is a real thing. And it's not just the futures thing — it's the impositions against creativity, the expressions of our existentially vital capability to imagine; it feels like these are systematically being eroded.
Futures?
We've got no shortage of futures.
We've got a shortage of imaginative futures.
That's where New Future Archetypes (NFAs) come in, and the work the gang at N O R M A L S is doing.
Think of them as "futures in a box," or maybe a speculative cinematic universe without a script.
They're not predictions.
They're provocations.
NFAs let us live inside alternative futures, not just to be wowed, but to rehearse, rethink, and redesign.
NFAs don't just ask "what if?" They help us inhabit the answer long enough to ask better questions.
Tune in to the podcast episode (N°100!) where I hang out with the gang at N O R M A L S and we get into it: the limitations of traditional futurism tropes like cyberpunk and the need for new archetypes that foster innovation and public engagement.
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